The May Queen
returns to Cincinnati this weekend.
Edition 87 of the 135 year-old May Festival begins at 8 p.m. May 16 at Music Hall with a concert performance of Verdi's "La Forza del Destino." Music director James Conlon will lead the Cincinnati Symphony Orchestra, May Festival Chorus and a cast headed by soprano Angela Brown as Leonora and tenor Salvatore Lecitra as Don Alvaro. (The
May Festival was biennial rather than annual until 1967. accounting for the disparity in numbers above.)
The Cincinnati May Festival is the oldest
continuing choral festival in the Western Hemisphere. The event grew out of the saengerfests
brought to Cincinnati by German immigrants in the early 19th century. Music Hall was built to house the festival in
1877, when Reuben Springer, a local businessman, was disturbed by the sound of
rain on the tin roof of the existing Saengerfest Hall and pledged half of the
funds to build a new hall if the citizens of Cincinnati would put up the other
half (which added up to a $125,000 matching grant).
Music
Hall, with its 3,500+ seats has housed the May Festival proudly and grandly
ever since. (Founded in 1895, the
Cincinnati Symphony took up residence there much later. Even then, there was an interim period,
1909-36, when the CSO performed in its own hall, Emery Auditorium on Walnut
Street.)
Set in 18th-century Spain and Italy, "La Forza del Destino"
("The Force of Destiny") is all
about revenge. You can tell right away,
from the tense, dramatic Overture.
Here’s
the yarn: Leonora tries to elope with
Don Alvaro but they are caught by her father, who is killed when Alvaro’s
pistol accidentally discharges. The
lovers flee but are separated. Leonora’s brother Don Carlo swears revenge on
them both. Leonora secludes herself in a monastery while Don Carlo and Alvaro,
unknown to each other, enlist in the army.
Alvaro is wounded and gives Don Carlo a box, to be destroyed unopened
upon his death. Carlo opens it anyway
and find his sister’s portrait inside.
Alvaro recovers. Knowing that he
has found his prey, Don Carlo challenges him to a duel, which coincidentally
takes place outside Leonora’s cell at the monastery. Alvaro mortally wounds Carlo. Leonora rushes to her brother’s side, but he
exacts revenge by stabbing her.
Singing Leonora is Metropolitan Opera soprano
Angela Brown, well known to Cincinnati audiences for her roles as Cilla in
Richard Danielpour’s "Margaret Garner" in 2006.
Tenor Salvatore Licitra is Don Alvaro, with baritone Marco Caria as Don
Carlos, bass Morris Robinson as Padre Guardiano, mezzo-sprano Catherine Keen as
the gypsy Preziosilla and the May Festival Chorus. The Cincinnati Symphony Orchestra performs
for all May Festival concerts. All works are sung in the original languages with English supertitles.
Beethoven’s Ninth Symphony dominates the
second night of the festival, May 17, also at 8 p.m. at Music Hall. Conduct conducts the CSO with the May
Festival Chorus, soprano Ellie Dehn, mezzo-soprano Keen, tenor Rodrick Dixon
and bass Robinson.
The concert opens with a May Festival
premiere, Austrian composer Eric Zeisl’s "Requiem Ebraico." Best known for his movie scores ("The Postman
Always Rings Twice," "Lassie Come Home"). Zeisl wrote his Requiem in 1944-45 in in
memory of his father who died in the Treblinka concentration camp and all other
victims of the Holocaust.
The annual non-subscription concert in the
Cathedral Basilica of the Assumption in Covington is 8 p.m. May 18 and features
the May Festival Chorus and May Festival Youth Chorus. Hear excerpts from Rachmaninoff’s Vespers, plus
works by Scarlatti, Josquin des Prez, Palestrina, Faure, William Duckworth,
Schubert, Vaughan Williams, Randall Thompson and the spiritual "Ezekiel Saw the
Wheel" arranged by William Dawson. Conlon and Youth Chorus director James Bagwell
conduct.
The festival’s second weekend opens at 8
p.m. May 23 at Music Hall with Faure’s Requiem, Vivaldi’s Gloria and J.S.
Bach’s Cantata No. 191 ("Gloria in excelsis Deo"). Conducting will be May Festival Chorus
director Robert Porco. Soloists include
sopranos Maghan Stewart and Yulia Van Doren, mezzo-soprano Julie Ane Miller,
tenor John Aler, and baritone Donnie Ray Albert.
The festival finale is 8 p.m. May 24 at
Music Hall, a multi-media presentation of Berlioz’ "Romeo et Juliette" with
thematically related artwork projected above the stage. Curator is the Cincinnati Art Museum. The event encores last season’s highly
successful "L’Enfance du Christ," also by Berlioz, which also utilized
thematic projections.
Three of the four Music Hall concerts will
be preceded by recitals, which begin at 7 p.m. in the Music Hall auditorium
(free to May Festival ticket holders).
Soprano Ellie Dehn performs: May 16, with John Aler May 17, Donnie Ray
Albert May 23 and Catherine Keen May 24.
Accompanist will be pianist Michael Chertock.
The May Festival is always accompanied by
pageantry and tradition and this year should be no exception. There will be pre-concert dinners in Music
Hall’s Corbett Tower (5:45-7:30 p.m. May 17, 23 and 24), flowers (everywhere),
a Maypole dance, brass fanfares and people in their best spring (often period) finery. Oh yes, the last festival concert always
concludes with the "Hallelujah" chorus from Handel’s "Messiah."
Subscriptions are available for all four
Music Hall concerts, weekend I or II, two Fridays or two Saturdays. Prices
range from $32 for two Saturdays (lowest price gallery seating) to $305 for all
four concerts (highest priced orchestra seating). Flexible vouchers, good for any four concerts,
are $143 (gallery) and $185 (orchestra/balcony). Single tickets are $16-$84 for all Music Hall
concerts except May 17, which is $21-$89.
Tickets for the May 18 Cathedral concert (non-subscription) are $30.
Call (513) 381-3300, or order online at www.mayfestival.com.